Kafka on the Shore by Haruki Murakami | Review

Pages: 480

Genre: fiction, magical realism, japan

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Do I pretend like I know what this book was about? 

Rating out of five:

fire

This book was great *looks nervously around*. No, it was actually good, the main guy Kafka ends up living in a library, so of course it’s great. But this book is intricate and has so many hidden meanings that I haven’t yet deciphered. It deserves a second read through, at least. I’m almost angry at this book, at how confusing and well written it is.

Murakami’s might explain it better himself; “Kafka on the Shore contains several riddles, but there aren’t any solutions provided. Instead, several of these riddles combine, and through their interaction the possibility of a solution takes shape. And the form this solution takes will be different for each reader. To put it another way, the riddles function as part of the solution. It’s hard to explain, but that’s the kind of novel I set out to write”.

Let’s just say it’s one magical and fantastic story. And also magical realism, which I love. Would absoloutly recommend it.   

It’s following different storylines, some I cared less about than others, but all are important and make sense in the end. There’s Kafka who’s fifteen and have run away from home, the main plotline. There’s Nakata, an old man that during world war 2 was a part of a group of schoolchildren who all suddenly lost consciousness in the woods. He lost his memories and became mentally challenged, but gained the ability to talk to cats. He uses his time to search for lost cats. He’s great. 

There’s a lot more characters, lots of mysteries in this book and lots of surprises. I adore this book, and perhaps I’ll figure out what it all means someday. I heard reading Murakami’s other books might help, so I’ll start there. “Kafka on the shore” doesn’t have one clear plot and it’s one of the things I love most about it.

Norwegian Wood by Haruki Murakami | Review

Pages: 300

Genre: contemporary, romance, japan

Synopsis

Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable. As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.

My thoughts

Rating out of five:

fire

A fabulous bestselling book, which somehow reminded me of “The secret history” by Donna Tartt, but set in Japan, with less murder and just as much insanity. 

“I have a million things to talk to you about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.”

All the characters are wrong and troubled, although the main character Toru seems to be the most normal at first. It’s something they’re mostly aware of and Toru even ponders why he chooses to get close to a certain type of person. Is it because they don’t claim or pretend to be normal?

“Don’t feel sorry for yourself. Only assholes do that.”

The characters are what drives this story as you want to know how they end up. It’s obvious they all are in either dangerous sitations or can’t follow the same path for long without it becoming critical. My favourite and the likely the worst of the bunch is Nagasawa who is a womanizer, clever and rich dirtbag. He doesn’t think any good of anyone, but chooses Toru as his friend, and the contrasts and similarities between them is very interesting.

It is a love story. Kind of. As much as it’s about mental health or college/uni. At times all the different aspects of the story didn’t match up for me, but in the end it made sense. It’s all about Toru’s life and development. I can’t claim to completely understand this book yet, and it was slow at times, but I quite liked it. Murakami’s writing is as wonderful as always.